American Art – Part I of II: Gregory Mortenson
In the words of one critic, “Gregory Mortenson (born 1976) is a New York based artist. He received his BA from Southern Virginia University. After college, Gregory spent the next two years studying classical painting in an apprenticeship with Patrick Devonas and William Whitaker.
He then moved to New York City to study at the Grand Central Academy of Art under Jacob Collins and the Waterstreet Atelier tradition. After completing the four-year curriculum, Gregory continued two more years of painting at Jocob Collin’s private studio.
Gregory currently works from his studio in New York and teaches at the Grand Central Academy of Art.”
American Art – Part II of II: Paige Bradley
Artist Statement: “Focusing on tensions and liberations in my work, I feel most of our emotions are locked into an existential cocoon. My sculptures show the human race as a singular individual searching for connection but finding only alienation.
My recent work has become a symbol of struggle —
both being contained and liberating ourselves from
self-inflicted boundaries. Fears of ostracism, avoiding distinction and hiding from greatness are all thoughts that come to mind. These fears create sculptures wrapped in extraordinary tension. The figures struggle to unveil themselves in order to become understood and known. These bound figures give me a sense of unrest as if too much life is jammed into too restrictive of space. I feel as if I am trying to live my truth free and unveiled in a society that would rather keep us contained.”
Dutch Art – Part I of II: Helene Terlien
Artist Statement: “I was born in 1960, in Breda , The Netherlands. I now live and work in Amsterdam.
Painting has become an all-consuming passion to me, especially when working with oil paints.
People and animals are a source of inspiration from which I paint a fantasy that, when taking shape on the canvas, starts leading its own life. And I, as an artist, am left to follow in its path.”
Dutch Art – Part II of II: Erno Tromp
“Born in 1948 in Ilpendam , Erno Tromp now works as an illustrator and graphic artist in Amsterdam. He studied at the Rietveld-academy and the Rijksacademy in Amsterdam. He makes oil paintings and acquarels, in which houses, animals and the flat Dutch landscapes dominate. Erno’s collections of cow and cat illustrations are famous throughout Europe. He has received various nominations and prizes from the Dutch Art Director’s Club.”
Here is one critic describing the background of Hungarian artist Gyulo Kalko: “Artist and conservator Gyula (Julius) Kalko received his art training at the Academy of Fine Arts and the Academy of Applied Arts in Budapest, Hungary. He studied drawing and painting under Professor Jeno Barcsay, the world-renown author of the authoritative book, ‘Anatomy for the Artist.’ At the Academy of Applied Arts he studied graphic arts and conservation and received diplomas from both disciplines in 1970 and 1973 respectively.
Gyula Kalko moved to Montreal in 1982, and consequently to Toronto in 1984, where he has continued his artistic activities as an illustrator, and scenic designer for the Canadian Broadcasting Corporation. Since 1985 he has operated ‘Artrestore,’ a fine art conservation studio, and divides his activities between his painting and conservation work.”
Some quotes from the work of Mary Renault:
“In hatred is love, we grow like the thing we brood upon. What we loathe, we graft into our very soul.”
“To hate excellence is to hate the gods.”
“Do not believe that others will die, not you…. I have wrestled with Thanatos knee to knee and I know how death is vanquished. Man’s immortality is not to live forever; for that wish is born of fear. Each moment free from fear makes a man immortal.”
“You cannot step twice into the same river, said Herakleitos. People in the past were not just like us; to pretend so is an evasion and a betrayal, turning our back on them so as to be easy among familiar things.”
Here is one critic describing the background and artistry of Armenian artist Rudolf Khachatryan: “Rudolf Khachatryan (1937-2007) started painting at the age of three. Roudolf Khachatrian lived in Paris for a long period. Then he returned to Armenia, his homeland. For his paintings, beautiful portraits, Rudolf Khachatryan (Roudolf Khachatrian) used white or colored paper, pencil, light-brown liquid ink (sepia), and red chalk pencil (sanguine), pen and brush. In 1971 Rudolf Khachatryan moved to Moscow. He created portraits and still lifes, filled with black or monochromatic ocher pencil, developing his own distinctive artistic style.”
“Our too-young and too-new America, lusty because it is lonely, aggressive because it is afraid, insists upon seeing the world in terms of good and bad, the holy and the evil, the high and the low, the white and the black; our America is frightened of fact, of history, of processes, of necessity. It hugs the easy way of damning those whom it cannot understand, of excluding those who look different, and it salves its conscience with a self-draped cloak of righteousness.” – Richard Wright, African-American short story writer, novelist, essayist, poet, and author of “Native Son,” who was born 4 September 1908.
Some quotes from the work of Richard Wright:
“I would hurl words into this darkness and wait for an echo, and if an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight, to create a sense of the hunger for life that gnaws in us all.”
“Men can starve from a lack of self-realization as much as they can from a lack of bread.”
“They hate because they fear, and they fear because they feel that the deepest feelings of their lives are being assaulted and outraged. And they do not know why; they are powerless pawns in a blind play of social forces.”
“There are times when life’s ends are so raveled that reason and sense cry out that we stop and gather them together again before we can proceed.”
“Pity can purge us of hostility and arouse feelings of identification with the characters, but it can also be a consoling reassurance which leads us to believe that we have understood, and that, in pitying, we have even done something to right a wrong.”
“The artist must bow to the monster of his own imagination.”
In the words of one writer, “After earning a degree in architecture studies from Vilnius Engineering University, Lithuanian artist Eurika Urbonaviciute became a professional artist in 2009. Her richly textured multilayered paintings have become popular with collectors throughout Europe.”
“The deeper we look into nature the more we recognize that it is full of life, and the more profoundly we know that all life is a secret, and we are all united to all this life.” – Albert Schweitzer, German-French humanitarian, organist, theologian, philosopher, physician, medical missionary in Africa, and recipient of the 1952 Nobel Peace Prize “for his philosophy of ‘Reverence for Life,’” who died 4 September 1965.
Some quotes from the work of Dr. Albert Schweitzer:
“The only escapes from the miseries of life are music and cats.”
“In everyone’s life, at some time, our inner fire goes out. It is then burst into flame by an encounter with another human being. We should all be thankful for those people who rekindle the inner spirit.”
“Think occasionally of the suffering of which you spare yourself the sight.”
“Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful.”
“Joy, sorrow, tears, lamentation, laughter — to all these music gives voice, but in such a way that we are transported from the world of unrest to a world of peace, and see reality in a new way, as if we were sitting by a mountain lake and contemplating hills and woods and clouds in the tranquil and fathomless water.”
“Happiness is nothing more than good health and a bad memory.”
“Example is not the main thing in influencing others. It is the only thing.”
“Man is a clever animal who behaves like an imbecile.”
“A man does not have to be an angel to be a saint.”
“In the hopes of reaching the moon men fail to see the flowers that blossom at their feet.”
“No one can give a definition of the soul. But we know what it feels like. The soul is the sense of something higher than ourselves, something that stirs in us thoughts, hopes, and aspirations which go out to the world of goodness, truth and beauty. The soul is a burning desire to breathe in this world of light and never to lose it–to remain children of light.”
“The question whether I am a pessimist or an optimist, I answer that my knowledge is pessimistic, but my willing and hope are optimistic.”
“Constant kindness can accomplish much. As the sun makes ice melt, kindness causes misunderstanding, mistrust, and hostility to evaporate. ”
“We must fight against the spirit of unconscious cruelty with which we treat the animals. Animals suffer as much as we do. True humanity does not allow us to impose such sufferings on them. It is our duty to make the whole world recognize it. Until we extend our circle of compassion to all living things, humanity will not find peace.”
Here is one critic describing the background and artistry of Colombian painter Marco Tulio: “Born in Medellin, Colombia in 1966, self-taught artist, Marco Tulio began his artistic endeavors at a very early age; with both of his parents as artists, Marco has been painting since he was very young. Certainly his talents must be innate as this prodigal child had his first exhibit at the age of eleven.
His father, abstract artist Guillermo Espinosa, instilled in him an appreciation of color but Marco practiced, refined, and has perfected his classically inspired scenes.
His human figures are the modernized version of the Classical figure; meanwhile, he adds elements of surrealism, and plays up color and texture to make each piece seem so impossibly real! Beyond the chiseled bodies and near-to-perfect, idealized human figures, he pays homage to his South American culture providing elements of mythology and mystical imagery that is unique to a Marco Tulio painting. An increasing admiration for his figures is largely due to the rich color and texture he paints; he makes the image on the one-dimensional canvas appear tangible and three-dimensional.”
A Poem for Today
By Edna St. Vincent Millay
I shall die, but
that is all that I shall do for Death.
I hear him leading his horse out of the stall;
I hear the clatter on the barn-floor.
He is in haste; he has business in Cuba,
business in the Balkans, many calls to make this morning. But I will not hold the bridle
while he clinches the girth.
And he may mount by himself:
I will not give him a leg up.
Though he flick my shoulders with his whip,
I will not tell him which way the fox ran.
With his hoof on my breast, I will not tell him where
the black boy hides in the swamp.
I shall die, but that is all that I shall do for Death;
I am not on his pay-roll.
I will not tell him the whereabout of my friends
nor of my enemies either.
Though he promise me much,
I will not map him the route to any man’s door.
Am I a spy in the land of the living,
that I should deliver men to Death?
Brother, the password and the plans of our city
are safe with me; never through me
Shall you be overcome.