There was always fabric in your lap
and a whistle in your heart. A sweet
sap to be sucked waited in the garden.
Nymphs of newts nestled under rock,
your role as ‘She Who Brings the Waters’
intact. Between the trilling of the crickets
educating into the night and the sad sack
of cans in the mornings something grew,
flourished in the dark — vines as sturdy
as telephone wire writhed in the breezes.
You patched together a blanket of us,
sewed together the mismatched and lopped
off edges. And anger grew a twin, ripped
through the bermuda grass, something stubborn
and determined: Me, in a leather patchwork skirt,
the bitter lemon song returning to its beginning
over and over on the Howdie Doody phonograph,
a handful of bandages, a faceful of ghosts
delivered from the mirrors. How did you stand it?
All of it. Us crunching through your set life,
kids scuffling through the mounds of leave.
Always making do. Your sunshine eyes,
those stenciled memories where
we still live.
Below – Yolanda Lopez: One of three oil pastel and pastel crayon portraits in the series “Virgin de Guadalupe.” Lopez’s grandmother, who was the model for this portrait, helped Lopez’s single mother raise her.